I'm to blame for that one, sort of, but then everybody came in and that went through quite a few changes, due to everybody else putting in different bits, and restructuring it, etc, etc. I can't remember where the idea did come from, I think it came from a book I was reading, and it just seemed to fit in with a sort of a rhythmic pattern I had in mind, and it sort of came there, from nowhere really.
If I'm honest, I have mixed feelings about splitting the songwriting credits on those later records. I wrote The Invisible Man and Breakthru very deliberately to be hits. We wanted to have hits because we wanted to stay relevant in the ‘90s. Parts of Innuendo were much heavier, but it's impossible to say where we'd have gone next if Freddie had lived.