It has a little bit of retrospective stuff and it has a little bit of forward looking stuff. There was a point where I looked into it, and got a vision of it, and put down a few things, and felt it meant something special - so I'm pretty fond of that one. Sometimes these tracks have a life of their own, and no matter what you do they have a certain sound to them. 'The Show Must Go On' has a very broad and lush sound to it, which I like, whereas 'I Can't Live With You' turned out very, very close and harsh. And no matter what you do, you can't mix that out of it. It probably benefits the track, but they just have different atmospheres - you do them in different places and in diferent ways.