On Queen II there is a lot of stuff which I like because that was the beginning of doing guitar orchestrations, which I always wanted to do. The first track - Father to Son - starts off with an introduction. After it gets into the song and a few words are sung, it immediately it goes into a six-part orchestral kind of thing. It was really a big thrill for me to be able to do that, because I had never been allowed to spend that amount of time in the studio to construct those things before then. That was the fulfilment of an ambition for me, to get started on that road of using the guitar as kind of an orchestral instrument.