[Joint songwriting credits] worked very well for the band, although you can pretty much work out who is responsible for what. There are things on Innuendo, for example, which are obviously me, but by talking about it you obviously destroy what we were trying to achieve… I was obviously involved heavily in Headlong, I Can't Live with You and Hitman, while All God's People came from Freddie at the same time as the Barcelona project. The Show Must Go On came from Roger and John playing the sequence and I started to put things down.